Posts tagged Monolith Cocktail
Review for Senji Niban's New Single "Where the Birds Fly Now?" from Monolith Cocktail.

The last time the Monolith Cocktail featured the Tokyo electronica composer and remixer Koichiro Shigeno, he was sharing a Bearsuit Records split EP showcase with The Moths Poets, back in 2016. Recording under his Senji Niban appellation, the experimental wiz produces the kind of busy accompaniment you might find sound tracking a speeded-up film collage of Russian constructivism; melding the Yellow Magic Orchestra with Sky Records’ Dadaist fringe. Other explorations take in the strange aural fragrance of liquid bossa nova and a neo-classical Roedelius, and the minimal kinetic techno kookiness of early Kreidler.

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Music Review from Monolith Cocktail Blog for "Break Through 50 Watts" by Ippu Mitsui.

Always in a state of developing and reworking, Tokyo electronic composer and label boss Ippu Mitsui draws breath with an album of rerecorded, remastered and in some cases, alternate visions of his back catalogue on “Break Through 50 Watts”.

Delivered via his very own burgeoning experimental electro and dance label, Pure Sparks Records, Ippu hurtles and careers through a miscellaneous of tracks from 2017, including a freshly coated twitch-house take of the opening 32-bit, dial-up tone skittish collage ‘Bug’s Wing’s’ (taken from his “L+R “ LP for the Edinburgh label Bearsuit Records) and a sophisticated shadowy airy refresh of the cruising ‘Rotation’ (taken from his Shift Down EP for Submarine Broadcasting Company). Ippu watchers might also recognize remasters of the E Noise EP’s breakbeat thriller ‘Chromium’ and the Resonance EP’s re-Warp busy percussive ‘Biorhythm’. Scattered amongst these are a host of equally cybernetic and machine code engineered techno treats: the dulcimer chiming timepiece soundtrack ‘Recovery’, melodic childlike piano downtempo ‘Playground’ and the strange putting-robots-to-sleep deconstructive techno number ‘Sea Slug In Love’ being some of the more interesting and diverse tracks on offer.

New to the charms and exploration of Ippu Mitsui, then this collection would be a grand starting point to a one-man electro and techno industry.

Links of interest from our archives

Ippu Mitsui  ‘L + R’

Written by Dominic Valvona / Monolith Cocktail Blog

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Review for Alexander Stordiau's album from Monolith Cocktail.

Review from Monolith Cocktail. With a classical background, studying at various Belgium conservators, Stordiau combines elements of cascading, romantically accentuated piano and suffused strings with synthesized and computer programmed sine waves, glassy tubular glistened percussion and vaporous sweeps.

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Review for "Embers Dreams" from Monolith Cocktail (UK)!

The Japanese electronic music wiz kid Ippu Mitsui has graced these roundups on a number of occasions over the years, and featured on numerous Monolith Cocktail playlists. Releasing a varied kaleidoscope of futuristic Tokyo electro-glides-in-blue and kinetic techno on a spread of labels, Mitsui originally came to my attention through his releases for the Edinburgh-based Bearsuit Records. Still recording ad hoc, Mitsui has now just launched his very own imprint, Pure Spark Records. Another one of Bearsuit’s extensive roster of mavericks, the inaugural release on that venture is from the experimental composer Yuuya Kuno, who under a variety of alter egos has prolifically knocked out a mix of the weird and sublime electronica.

Back recording under the House Of Tapes moniker in this instance (known as Swamp Sounds when passing sonic oddities through Bearsuit), Kuno’s two-track showcase, Embers Dreams, is a lucid, air-y and sophisticated affair. The “Embers” of that title is an inviting exotic amble through a moist-vegetated oasis of itchy, scratchy, woody and echo-y deep electro percussion, whilst the accompanying ‘Melted Ice’ offers a glass-y trance-y, robotics-in-motion slice of downtempo chiming soundtrack. A great subtle and deep piece of electronic manna and flow with which to launch Mitsui’s brand new label, House Of Tapes kickstarter is a serious piece of classy techno: an augur, a good omen I hope of what’s to come.

Written by Mr Dominic Valvona.

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